Hello my good friends. I hope this entry finds you in a good time in your life, health and spirituality. This entry is going to be pretty short as I covered so much in the last entry. I am writing because I did pick up the new album by Dragonforce. "Ultra Beatdown". Dragonforce is one of those guilty pleasures, thanks to their uplifting yet power metal sound. The easiest way to describe them is if Journey and Slayer formed to make some sort of super group.
This album showed a most definite progression in the band. Sure they still play fast but there's a lyricism in it now as the group matures. The keyboards are bit more prominent and another excellent metal ballad (a forgotten art these days, the power ballad) graces this album. Overall, I think they still have a lot of room to grow, composition wise, as their songs still sometimes sound the same. If you're looking for a happy album, but still want to get your metal on, Dragonforce's "Ultra Beatdown" is the way to go.
Summary
Uniqueness: 8
Composition: 7
Vocals: 8
Instrumental: 9
Value: 8
OVERALL: 8.5
Just as a side note, also on that shopping trip, I picked up Rock Band 2 and some vinyl. Rock Band 2 is of course, cool. Great song selection. And if you own Rock Band 1, you can download just about all the tracks for $5 from the original disc. Also all your downloaded tracks still work in Rock Band 2.
As for the vinyl I bought, I found some great stuff, as I bulk up my AC/DC and Journey vinyl collection. I even found my favorite Journey album, "Frontiers" which features "Separate Ways" and "Open Arms". I also found Queen's "Jazz" album. Very cool. I love Bicycle Race. Its interesting that the cuts on that album are slightly different than the ones on the Queen's Greatest Hits album.
Alright my friends, I wish you a good night. Please, October 5th at the Catonsville Library, 2pm. The brass quintet will be rockin' the house! No cover. We'll have treats! Let me know if you need directions!!!
Monday, September 29, 2008
Tuesday, September 23, 2008
Fall is the new Spring
Hello loyal readers. I hope this blog finds everyone in good spirit. This entry is about how I find myself surrounded in all sorts of musical happenings this time of year.
The UMBC Symphony has started up again. On our first concert it appears we will be playing Beethoven's 7th, Finlandia by Sibelius, and Selections from Carmen, and Mother Goose Suite. A lot of work, especially the Beethoven which is surprisingly chop busting. The good thing is that so far, its got my transposing chops back in shape! Beethoven is Trumpet in D, and Finlandia is Trumpet in F.
On the quintet front, I finished an arrangement of Money by Pink Floyd which will work nicely to demonstrate the concept of a head sheet in jazz. Our set for October's library Jazz gig (October 5th, 2pm you better be there) is shaping up to be very diverse, with a nice surprise ending. We plan to be educational and entertaining like our Christmas show, which we aren't booked for yet!
On the rock concert itinerary, things are very exciting as I will get to scratch two more acts off my list of "Bands to see before I die". Here's that list, by the way, with stars next to acts I have seen or tickets to see them. Please remember this is of all time so some acts could already be deceased.
10. Miles Davis
9. Queen with Freddie Mercury
8. Maynard Ferguson *
7. Dave Brubeck
6. Iron Maiden *
5. Journey *
4. Ozzy Osborne *
3. AC/DC *
2. The Who *
1. Pink Floyd
So that's right, if you've been paying attention to the Baltimore/Washington concert schedule, AC/DC and the Who are both coming to town in November, and I have tickets to both shows. This Saturday morning, after a very close call, I did score some tickets to AC/DC in the upper deck of the Verizon Center. I am already excited for that show. Luckily some friends had promised that no matter the price, if AC/DC came close, we would go. For $92.50 plus fees for each ticket and relatively short notice of the concert, we are lucky to have seats. Also to add, as a general rule of thumb, the ticketmaster "best available" search does not lie. The Who tickets I bought as a knee jerk reflex. I had no one to go with, I just dropped the $80 plus a piece and decided I'd either find a friend willing to repay or take my mom, as she has not been to a real rock concert since James Brown in early 60's. Mom is super excited to say the least. We've been warming her up on Several Species, a local Pink Floyd tribute group.
There's also some new albums on the horizon. AC/DC, The Killers, Keane, and Queen all have new albums due out in October or November. I'm not pleased that AC/DC is a Wal-Mart exclusive, but that is the trend in business, and I will be there October 20th, probably after work, to pick up my copy. The single, "Rock 'n' Roll Train", is definitely good, and really doesn't sound like they've dropped a step. The Killers and Keane have both teamed up with famed producer Stuart Price to produce their new albums. This definitely got me a little too excited for such pop rock. I love the Killers semi-retro sound, and I just love Keane's driving ballads and lead singers fully, billowy voice. The Queen album, I am nervous about, as I am not a fan of Paul Rogers' voice. I still miss Mr Mercury to this day, but I can't hold it against Queen, and I will certainly buy the album, to hear the instrumental work alone.
The immediate future holds the Renaissance Faire in Crownsville, MD. There's always plenty of interesting music acts at this thing, and normally at least one hidden gem, such as E Muzeki, who was doing covers of classic rock on traditional Greek and eastern instruments. If I find anything I'll report back of course right here.
Well my friends, enough rambling from me. May your ticket convenience fees be low! Good night.
The UMBC Symphony has started up again. On our first concert it appears we will be playing Beethoven's 7th, Finlandia by Sibelius, and Selections from Carmen, and Mother Goose Suite. A lot of work, especially the Beethoven which is surprisingly chop busting. The good thing is that so far, its got my transposing chops back in shape! Beethoven is Trumpet in D, and Finlandia is Trumpet in F.
On the quintet front, I finished an arrangement of Money by Pink Floyd which will work nicely to demonstrate the concept of a head sheet in jazz. Our set for October's library Jazz gig (October 5th, 2pm you better be there) is shaping up to be very diverse, with a nice surprise ending. We plan to be educational and entertaining like our Christmas show, which we aren't booked for yet!
On the rock concert itinerary, things are very exciting as I will get to scratch two more acts off my list of "Bands to see before I die". Here's that list, by the way, with stars next to acts I have seen or tickets to see them. Please remember this is of all time so some acts could already be deceased.
10. Miles Davis
9. Queen with Freddie Mercury
8. Maynard Ferguson *
7. Dave Brubeck
6. Iron Maiden *
5. Journey *
4. Ozzy Osborne *
3. AC/DC *
2. The Who *
1. Pink Floyd
So that's right, if you've been paying attention to the Baltimore/Washington concert schedule, AC/DC and the Who are both coming to town in November, and I have tickets to both shows. This Saturday morning, after a very close call, I did score some tickets to AC/DC in the upper deck of the Verizon Center. I am already excited for that show. Luckily some friends had promised that no matter the price, if AC/DC came close, we would go. For $92.50 plus fees for each ticket and relatively short notice of the concert, we are lucky to have seats. Also to add, as a general rule of thumb, the ticketmaster "best available" search does not lie. The Who tickets I bought as a knee jerk reflex. I had no one to go with, I just dropped the $80 plus a piece and decided I'd either find a friend willing to repay or take my mom, as she has not been to a real rock concert since James Brown in early 60's. Mom is super excited to say the least. We've been warming her up on Several Species, a local Pink Floyd tribute group.
There's also some new albums on the horizon. AC/DC, The Killers, Keane, and Queen all have new albums due out in October or November. I'm not pleased that AC/DC is a Wal-Mart exclusive, but that is the trend in business, and I will be there October 20th, probably after work, to pick up my copy. The single, "Rock 'n' Roll Train", is definitely good, and really doesn't sound like they've dropped a step. The Killers and Keane have both teamed up with famed producer Stuart Price to produce their new albums. This definitely got me a little too excited for such pop rock. I love the Killers semi-retro sound, and I just love Keane's driving ballads and lead singers fully, billowy voice. The Queen album, I am nervous about, as I am not a fan of Paul Rogers' voice. I still miss Mr Mercury to this day, but I can't hold it against Queen, and I will certainly buy the album, to hear the instrumental work alone.
The immediate future holds the Renaissance Faire in Crownsville, MD. There's always plenty of interesting music acts at this thing, and normally at least one hidden gem, such as E Muzeki, who was doing covers of classic rock on traditional Greek and eastern instruments. If I find anything I'll report back of course right here.
Well my friends, enough rambling from me. May your ticket convenience fees be low! Good night.
Tuesday, September 9, 2008
The battle of Minor vs Major
Hello my friends. I come to you this week with the first of a segment I'm going to title "Album of the *insert arbitrary time frame here*". This entry will be a review of a newly obtained recording of Beethoven's 5th symphony. As I mentioned in a previous entry, I did not have a recording of this piece. I took this a personal insult to myself as it is my favorite piece in the classical repertoire. I am also under the belief that every brass player in an orchestra should have their symphony cherry popped, so to speak, with this piece. It is the birth of brass as a major contributor to the group and of Romanticism. This is the first symphonic piece to include the trombone. In their mighty debut in the 4th movement, you can hear them saying "I am a trombone". You can sing it, seriously.
The recording I chose to pick up is a 200g virgin vinyl pressing from the original tape recording of the never released recording of Pierre Monteux conducting the London Philharmonic Orchestra from 1965.
Right away this recording draws you with a full, dark, rich sound on the now almost cliched "G-G-G-E flat". The interpretation is aggressive and in your face. The tension holds through not just the first movement, but the first three. The pacing of the second movement is very methodical and withdrawn. Though the movement is long, it does not feel it as it stays exciting and pompous. It holds the energy at stasis that was built during the first movement.
I flip the record and get to the real treat, of the third and forth movement. The third movement is firmly in minor and brings back the motif of the first movement, but in slightly different rhythm. After a fugue, the rumblings die down and an incredible crescendo builds to the the attacca forth movement.
HELLO BRASS! The fourth movement opens with a grand release of the tension from the last half hour with a C major arpeggio so loud that it knocks C minor out of your head. Its an emotional moment. Its cathartic and this performance is that. You can hear the trumpets more than normal in the first and second movement but they become a whisper in the third movement, only to take full control of performance in the opening four bars of the forth. A soaring horn sound so dark and rich that it brings chills, and of course fond memories of a friend. Chills at this point are running down my spine.
I truly believe this is probably as close as you're going to come to hearing this symphony as Beethoven desired for it to be heard. Violent, chaotic, good vs evil battle, packed with emotion. This record is full of suspense with masterful production quality. You can feel the orchestra. At the end of the first movement you can hear a collective sigh of relief from the group, as they probably can't even believe the intensity they just captured.
From what I can tell this was only released on vinyl. There are CD recordings of Monteux conducting Beethoven's Fifth, but I don't think they are the same as this one. The link to amazon for this product is here. It is a bit of a steep price but I would have paid $100 easily to have heard this live, so $33 with shipping and I can hear it over and over again is a bargain to me. Be warned though, if yo look up a photo of Monteux, he does look like Wilford Brimley. you be the judge:
The recording I chose to pick up is a 200g virgin vinyl pressing from the original tape recording of the never released recording of Pierre Monteux conducting the London Philharmonic Orchestra from 1965.
Right away this recording draws you with a full, dark, rich sound on the now almost cliched "G-G-G-E flat". The interpretation is aggressive and in your face. The tension holds through not just the first movement, but the first three. The pacing of the second movement is very methodical and withdrawn. Though the movement is long, it does not feel it as it stays exciting and pompous. It holds the energy at stasis that was built during the first movement.
I flip the record and get to the real treat, of the third and forth movement. The third movement is firmly in minor and brings back the motif of the first movement, but in slightly different rhythm. After a fugue, the rumblings die down and an incredible crescendo builds to the the attacca forth movement.
HELLO BRASS! The fourth movement opens with a grand release of the tension from the last half hour with a C major arpeggio so loud that it knocks C minor out of your head. Its an emotional moment. Its cathartic and this performance is that. You can hear the trumpets more than normal in the first and second movement but they become a whisper in the third movement, only to take full control of performance in the opening four bars of the forth. A soaring horn sound so dark and rich that it brings chills, and of course fond memories of a friend. Chills at this point are running down my spine.
I truly believe this is probably as close as you're going to come to hearing this symphony as Beethoven desired for it to be heard. Violent, chaotic, good vs evil battle, packed with emotion. This record is full of suspense with masterful production quality. You can feel the orchestra. At the end of the first movement you can hear a collective sigh of relief from the group, as they probably can't even believe the intensity they just captured.
From what I can tell this was only released on vinyl. There are CD recordings of Monteux conducting Beethoven's Fifth, but I don't think they are the same as this one. The link to amazon for this product is here. It is a bit of a steep price but I would have paid $100 easily to have heard this live, so $33 with shipping and I can hear it over and over again is a bargain to me. Be warned though, if yo look up a photo of Monteux, he does look like Wilford Brimley. you be the judge:
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Sunday, September 7, 2008
Vinyl Fetish
Hello my friends, hope everyone has survived the oh so terrible Tropical Storm Hanna. This entry is geared about the new stereo system I obtained from my grandmother. She was kind enough to set me up with a Pioneer receiver with a laser disc/5 CD disc changer and two Marantz 45/450 floor speakers. My dad then gifted me his old Pioneer direct drive turntable, that was just in need of a new cartridge. After a new cartridge purchased from Internet giant, Amazon.com, and a crash course in turntable maintenance, I had a sweet vintage turntable.
A few months ago, I had noticed Record and Tape Traders had just about all of AC/DC's albums on brand new virgin vinyl, on what seems to be about 180g vinyl for $15 each. Very intriguing. So needless to say, the moment I got this stereo set up, I headed for the ol' R&TT. I immediately burned that $15 gift certificate from Sarah Jo on "Back in Black". While digging through the used albums, I did come across "For Those about to Rock". Both came home that day, along with a "Best of Mountain" album. None of these disappointed as I have now become charmed with the full warmth of the vinyl sound. A second trip to the store found a better stocked vinyl room. This trip produced several Journey albums, Queen, and the jewel of the find, "Moving Pictures" by Rush.
Next stop was my basement. In the basement was stores some real gems, including "Thriller" by Michael Jackson, "Umma Gumma" by Pink Floyd, "That's Life" by Frank Sinatra, "Switched on Bach", and multiple 45rpm singles. I have a pretty well stocked and rounded vinyl collection considering how little time I've had a record player. Next was the Internet again.
I ordered off the web "The Pines of Rome" by Respighi and "Paranoid" by Black Sabbath. Both albums phenomenal. Its amazing to hear classical music on vinyl. Analog recordings allow you to hear other things going on with the performance. You can hear the conductor and the strings giving themselves breath cues. You can hear the feet shuffling of the brass section in the quiet sections. It really causes a feeling of actually being at the performance. At this point now, I have to admit that I am in love with vinyl. I find myself in stores now seeing if I can find an album on vinyl instead of CD, even though CD allows me to add it to my iPod. I could even see myself in the future just buying albums in both media, even though this Hi-Fi system has even made my CD collection sound better.
The amount of vintage recordings still available on vinyl is quite amazing, and I look forward to my friend Steve bringing over his vinyl. It is quite nice to have such a sound system to spoil my ears, and today's digital age has made our ears so forgiving to poor production and compression. Give yourself a treat, find a Hi-Fi with a turntable and give yourself the pleasure of listening to some classical or jazz, or even many rock albums on it and hear the difference. Relax your ears and take in the sound. Have a good night my friends.
A few months ago, I had noticed Record and Tape Traders had just about all of AC/DC's albums on brand new virgin vinyl, on what seems to be about 180g vinyl for $15 each. Very intriguing. So needless to say, the moment I got this stereo set up, I headed for the ol' R&TT. I immediately burned that $15 gift certificate from Sarah Jo on "Back in Black". While digging through the used albums, I did come across "For Those about to Rock". Both came home that day, along with a "Best of Mountain" album. None of these disappointed as I have now become charmed with the full warmth of the vinyl sound. A second trip to the store found a better stocked vinyl room. This trip produced several Journey albums, Queen, and the jewel of the find, "Moving Pictures" by Rush.
Next stop was my basement. In the basement was stores some real gems, including "Thriller" by Michael Jackson, "Umma Gumma" by Pink Floyd, "That's Life" by Frank Sinatra, "Switched on Bach", and multiple 45rpm singles. I have a pretty well stocked and rounded vinyl collection considering how little time I've had a record player. Next was the Internet again.
I ordered off the web "The Pines of Rome" by Respighi and "Paranoid" by Black Sabbath. Both albums phenomenal. Its amazing to hear classical music on vinyl. Analog recordings allow you to hear other things going on with the performance. You can hear the conductor and the strings giving themselves breath cues. You can hear the feet shuffling of the brass section in the quiet sections. It really causes a feeling of actually being at the performance. At this point now, I have to admit that I am in love with vinyl. I find myself in stores now seeing if I can find an album on vinyl instead of CD, even though CD allows me to add it to my iPod. I could even see myself in the future just buying albums in both media, even though this Hi-Fi system has even made my CD collection sound better.
The amount of vintage recordings still available on vinyl is quite amazing, and I look forward to my friend Steve bringing over his vinyl. It is quite nice to have such a sound system to spoil my ears, and today's digital age has made our ears so forgiving to poor production and compression. Give yourself a treat, find a Hi-Fi with a turntable and give yourself the pleasure of listening to some classical or jazz, or even many rock albums on it and hear the difference. Relax your ears and take in the sound. Have a good night my friends.
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